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"One of my goals is to tear people away from the internet," says Van Wyngarden, "because I think it is bad thing. A lot of social networking sites are promoting vanity and destroying privacy and mystery. We are getting rid of our My Space page and getting an old-fashioned PO box - and an old-school fan club, so we can send out newsletters."MGMT have clearly touched a nerve.As they did in their star turn at this year's Glastonbury, and on support slots with Radiohead and Beck, tonight they have the youth of Lille screaming out every word to their songs, transfixed by their carefree glamour."We want to make people happy and sad and confused at the same time," says Van Wyngarden.It was beyond politics and more about human changes.I don't think we want to tell them what to think, but we want to shake things up and make people think a different way." The Big Short, the film adaptation of Michael Lewis' book of the same name about the causes of the financial crisis, opens in UK cinemas this weekend. Samuels finds out if psych-songsmiths MGMT have burned the bridge back to sanity—and pop—by entering a world of darkness and electronics with their third, self-titled LP. Above left to right: Andrew Van Wyngarden and Ben Goldwasser Working-class clout has appeared at the heart of the Anglo-American conception of authenticity ever since the late seventies, when narratives of pop music’s blue-collar roots became a kind of common knowledge and the terms “middle class” and “suburban” became epithets.
Five years and one commercial failure later, their self-titled third LP initially picks up where their last album—the Sonic Boom-produced ’s marked Side B moves beyond clever forays into psychedelic pop to a place more disorienting.The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.For nearly a decade now, the legacy of Manhattan four-piece the Strokes has dominated indie rock, inspiring an army of skinny-jeaned boys from Arctic Monkeys to Razorlight.This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file.
At times the duo come across as something between Beavis and Butthead and the peripheral stoner students in Donna Tartt's novel The Secret History.